Pages 3 and 4, Revised
/Not much to say about this. It’s a redo and clean up as I move into the final stretch, racing toward the light at the end of the tunnel.
Not much to say about this. It’s a redo and clean up as I move into the final stretch, racing toward the light at the end of the tunnel.
It was a big day in Southern Oregon. I had my yearly checkup and I was pronounced healthy. Also, the plumbers replaced the pipesfrom our house to the city’s main line. The house was built in the 50’s, when Orangeburg pipe was commonly used. It has a life span of about 50 years — ours lasted 70. The replacement pipe is PVC, which will last up to 150 years. Long enough, I say.
To complete page 3, I enhanced the colors, added a walrus, and painted the circus tents in the distance.
I’m not feeling great today. I haven’t eaten for the last 24 hours. The idea of eating is unthinkable. The cause…I’ve tracked it down to a bad bottle of very expired buffalo sauce.
Despite feeling like shit, I was able to finish page 15, which has been languishing in an incomplete state for over a year. In this picture we see that Jimmy and Betty have been rescued by a mysterious character, a dolphin.
My deadline for finishing the drawings for book 3 is July 31. After that I’ll have three weeks to prepare the text and images for publication. I’ll use InDesign for laying out the pages and creating the PDF for Ingramspark. InDesign is a tough slog. I’ve forgotten everything I know about it. I last worked with it in February of 2021 when I completed my the second book in the fabulous “Adventures of Jimmy Jay” series.
Thanks to the Clip Studio Paint liquefy tool, I was able to enlarge Kitty’s eyes in just a few seconds.
In the right page, I added in the birds perched on Mr. Moai and on Dylan’s snout. Adding the birds was necessary for continuity. They first appear in page 25, then reappear in page 59. I’ll add the birds to page 61, also, showing them fluttering around Mr. Moai’s head as Kitty revives him from his 300-year sleep.
I’m going to find a place in the story for this image. The reader needs to know that the volcano demon’s rage is implacable and heartless. Overly dramatic? Oh, how can a fictitious volcano demon be overly dramatic? This beast has turned an entire island’s population, save for one boy, into stone statues.
The story needs a villain and the villain’s redemption, and that’s what it will get.
Every time I see page 28 I cringe and move on to another page, any page. Now that I’m almost finished repainting the many damaged pages I created a year ago, page 28 has floated like a corpse to the top of the stack. My job is to make this character, Betty Burro, cute. She also has to look like all of the other Betty Burro paintings in the book. Yikes!
We’re having weather straight from Hell. It’s 104 outside and close to 90 in the studio. The humans are sweating and the canines are panting. Our downstairs space, however, is a comfortable 72. So that I can work without sweating — and the dogs can be comfortable — I've decided to work down there. To do that, I need to move my work station downstairs…or, I need to install Clip Studio Paint on my iPad. I’ve tried it before and didn’t really take to it. I’m hoping that it works out better this time. Maybe I can overcome the bitter taste of my previous encounter. Maybe...
That’s supposed to be a wet kitten.
I bought a lens for my Leica on EBay. The seller is in Ukraine. I’m amazed that the lens could be delivered even though Ukraine is being horrifically attacked.
This page is under construction. The original of this page, which I’ve deleted, wasn’t cute and if had thick, fuzzy inking. I re-inked everything (a dozen times) and made the kitten, and Betty, cuter.
For page 60 I used a simple G-pen to replace the fuzzy pencil ink. I like the pencil-look, but I believe that I’m more likely to maintain a consistent style by sticking with simple ink lines.
My strategy is now to replace my “painterly” pages with simple line drawings. As for coloring, I’m using the bucket tool to lay down the base color, then using multiply and lighten layers to apply the shadows and highlights.