Brush Sizes and Learning How to Create Background Images

brush_size_test_blog.jpg brush size test, Clip Studio Paint

In my second book the characters are spending most of the time in the middle of a tropical jungle, which means that I need to create some background images. Here’s the rub — I’m afraid of drawing landscapes and foliage. I’ve been studying drawing for almost four years, but I’ve spent my time learning to draw people. I’ve shied away from drawing trees, rocks, and water. When I try to draw the big tree in the back yard I get frustrated and go back to drawing faces and cartoon birds. I know that the things I fear the most are the things I should be doing. To get this book done on time, I need to face the fact that I’m afraid. The remedy is to just sit down every day and spend an hour drawing trees and mountains and rocks and clouds and water.

One thing I’ve learned over the last year is to take notes about little details. One important detail is the brush size that’s appropriate for the resolution of the image I’m working with. I’m working with a 4000x4000 pixel canvas, which is the equivalent of an 10x10inch square at 400 dpi. I’m using a size 7 G-pen brush. For fine lines I’ll use a size 5 brush. For heavy lines I’ll use a 10, 12, or 15 brush. Here’s my test sheet. BTW, I’m doing all of the drawing using my Huion Pen Display. I’ve got it propped up on three thick books so that I don’t have to hunch over it when I draw.

Digitally cleaned up Bird and Butterfly Riding Bicycles

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Ah, the magic and mystery of Photoshop! On one hand it gives, and with the other it takes away. I used PS to clean up the watercolor image I made a few adjustments and added some cleanliness at the cost of some of watercolor’s magic randomness.

I removed the background, added shadows and highlights, speed lines, moved Jimmy to the background, and re-inked the outlines of Jimmy and Buddy. This took about 2 hours. I’m quite a novice with Photoshop and tasks always take longer than I think they should. I always have the feeling that I’m fighting against an invisible giant when I’m in Photoshop.

One other big difference is that I switched to my pen display today. Lately I’ve been using my Wacom Intuos Pro, the big one, but I’ve been looking at lots of reviews of the new Wacom Cintiq 16 and got the itch to reinstall my Huion drivers. I made all of the edits with my Huion GT 220 V2, which also has a stylus with 8000+ levels of sensitivity. I do prefer the feel of the Wacom stylus, but I work much faster on the pen display. What’s more relevant: feel or speed? Time will tell.

Compare this painting to the original posted yesterday.

In my hands, Photoshop removes much of the original watercolor’s charm. Sigh!